Epigraphy is one of the fundamental parameters in the field of art and cultural heritage, both in terms of methodology and theory. When historical and technical developments are examined, it is seen that this concept not only provides a theoretical framework, but also plays a decisive role in the concretization of laboratory and archival practices. Research conducted within the framework of historical processes and temporal diplomatic influences requires discussion on the basis of clear standards, from the process of compiling knowledge to its validation.




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